{Me after the first 4 1/2 minutes} “Oh my god this movie is 100% montage and it’s going to be GREAT!” Sadly the montage only lasted another 60 seconds(!), but the film as a whole was still a blast. After the bonkers opening, the story settles into somewhat standard cops-vs.-Yakuza fare, but with plenty of Miike’s depraved flourishes to remind you where you are. (Remind me to leave any nightclub with a kiddie pool on the premises.)
This middle portion (aka the plot) will inevitably be given short shrift in capsule reviews because it can’t possibly live up to the hype of the first 10 minutes without the audience’s hearts exploding. But it does have plenty to offer even if you have seen every other east-Asian gangster picture to cross the Pacific.

That said, the crime drama in Dead Or Alive is pretty much like the love story in Audition: you’re going to forget all about it once it pays off with the final set piece. The last ten minutes are so hilariously over the top, I don’t think I’ve laughed so hard at bloody violence since Meet The Feebles. I hope one day to see this in a theater full of people who don’t know what’s coming.
Rating: ⭐️⭐️⭐️⭐️

“Every frame a painting,” indeed. An absolute feast for art-lovers and animation enthusiasts alike. Some reviewers have complained that the story is too slight, but I found it to be compelling enough. O’Dowd’s performance was particularly moving; however, I found Ronan’s segment to be lackluster (possibly because she was hiding her natural voice that I enjoy so much?).